Associated with pictorial modernity and the new ideas it generated, a fervent defender, he is for all claims of the 1940s, which is pretty amazing, you will agree, for a clergyman. At the time, the wind of aesthetic and ideological reforms blow very strong in the minds often heated. Camps stand: Prism Eyes, Refus Global … Brother Jerome finds in these claims a great motivation and he is nice to everyone, at the same time close to Borduas and to Pellan. His teaching is in many ways revolutionary, as in his painting, the freedom and the pursuit of self, its inner dark side, remain fundamental leitmotifs of his expression. For him, the automation is the front door. ” Robert Bernier